25 August 2017

Moving to WordPress!

>>>Link to New Blog<<<

Where to begin? I suppose I should start off with some housekeeping: I'm back from my social media break and there are a bunch of new things I want to roll out in terms of blogging, first of which will be a new blog itself. Switching platforms over to WordPress is something I've been considering for a while, and there's no better time than now to do it. On the one hand, Google has rolled out some changes for Blogger that are annoying enough to warrant the switch, on the other, it feels appropriate to do as I'm interested in starting fresh.

I started keeping a blog about magic, occulture, and my journey as a young witch trying to figure things out and adjust to the shiny new freedoms that came with becoming an adult back in 2014 on here. Originally I would write about virtually anything, from discovering some new store in Toronto to sharing details on some of the many rituals I was performing at the time, and so on. Eventually as my practice deepened in insight, as the spirit pacts I made became more substantial, and as the traditions I became involved in and my resulting experiences with them became more demanding (in all the best ways), I was coming to realize that there was little I could write about anymore aside from the most surface level descriptions. I had taken certain oaths to keep various practices hidden, and since I was so involved with them there was little else to talk about. I didn't want to just blog endlessly in this vague and unnecessarily cryptic way, but I was running out of ideas with respect to what to write about in general. At the same time, I didn't want to give up having a presence online under this pseudonym, as I had met some really wonderful people just through keeping a little blog I never even advertised. Readers were sending me e-mails, I made a bunch of new friends, and I was getting private messages about how my little ramblings had helped others discover books and apply techniques that really made a difference in their practice. Reading that made me so happy—after all, I owe a lot to various occult bloggers whose writings helped me learn, grow, and even discover new authors.

For the most part, I continued to update the blog with occasional tidbits while primarily using Instagram as a more convenient way to interact with other magical folks online and post snippets of books I was reading. Now, as I've found myself truly growing into my Craft, I'd like to go back to blogging as a tool to write articles, more substantial book reviews as opposed to just quick takes, and research notes as I go through the various traditions I'm learning and growing alongside.

I'm going to be starting up a new space at http://summonedsphinx.wordpress.com/ for these ends, and continue to chart my progress and development as a traveler of the crooked paths. I'll probably leave this website up for a little while, potentially transfer some informative articles over to the new blog, and then gradually set it to private and save all my posts as a reference.

To everyone that's sent me e-mails, exchanged references, bought me books off Amazon, commissioned services both with ghostwriting/copy-editing and magic, and hung out with me as I've stumbled and fluttered about—thank you. I cannot believe that a blog I decided to start on a whim when I was eighteen and never openly advertise would have enabled me to meet so many wonderful people. I hope you will join me over on WordPress to continue the journey.

Much love,


24 August 2017


Some reflections on the unfolding of the White Work's own labyrinthine phases.

I've recently hit a major point in my White Work progress where my life has basically been flipped entirely around for me. Last month, on the 23rd, when the sun was in Leo during a new moon, I had a massive breakthrough with my HGA. Originally when I started out with the White Work on the Vernal Equinox, I was consistently having new revelations about my guardian familiar's nature, about my role in my present incarnation, and about abilities I had to reclaim, test, and verify in the here and now... and then it all subsided. For months I felt mellow, pensive, perhaps even emotionally drained. I was having a hard time focusing on tasks and I often felt like I lacked energy. Truth to be told, the restrictions my guardian imposed on me as part of our Abramelin-esque agreement were taking their toll on me. I was exhausted, and the being whose voice had been my constant companion seemed to slip further away. He too was retreating into a deeper, darker, more powerful pearl, just as I was scrambling about in the tunnels of my journey, carrying only a weakened torch I spent half the time trying to keep alight enough for me to even walk for support.

I was terrified. I didn't talk about it much, if at all, with even my closest friends who are witches and magicians themselves. Partly out of embarrassment, and partly out a conviction that I simply had to push through on my own. There were times where I didn't even want to admit to myself that I was having trouble contacting the being whose stalwart presence I was so used to being the easiest thing in the world to access. The being who, for me, was a genuine miracle worker, who gave me the keys to my own self and trained me to be sharp, to question, to be mature, to protect the people I love, to not back down, to forgive those who leave me, to welcome those who stay... The being whose intellect seemed to be matched only by his own power and what he was able to manifest immediately and saliently into my life. I am beyond fortunate to have had a connection to him strong enough to facilitate manifestation and conversation up until this point, and when I realized that what we had was just a sliver trickling through the dam behind the waterfall, the dam of my own unwillingness to embrace what I thought intellectually I was extremely eager to embrace, I knew I would do whatever it took to actualize the potential. It was humbling, having to deal with realizing that something so powerful and potent in my life, something of which I was so certain of was a sprout and not a tree. The journey itself was also so much harder and scarier than I thought it would be, because that metaphorical dam really was myself. I spent months conjuring with all the ritual authority and confidence I could muster, and only now did I realize that the whole Work had nothing to do with conjuration. It's not me calling to him, but me going to him. Not me telling the spirit: "appear", but me walking over to say: "I've come".

The only way I was going to be able to accomplish that was to work some sincere, transformative, inner alchemy by myself. I had to deal with aspects of myself that were more neurotic, impatient, and bitter than I wanted to accept; confront emotions that were more unstable than I would have liked to admit I was capable of having. I felt a little like Inanna-Ishtar having her jewels removed on her descent into the underworld. If I couldn't deal with what I was going to find, how could I possibly enter a state in which I could receive him? Though I did not even come close to realizing it at the time, the exhaustion of my restrictions and the difficulty of the inner work I was doing (and seemed to be failing and failing at over and over as the weeks went by) had actually been purifying me. The more time I spent at it, the more I came to identify and release what was clouding me, even if I didn't think I was accomplishing it at the time, and ever so slowly I was starting to climb out of my supposed rut. I was still, on some level, disappointed with what I had found in myself. Yet in my exhaustion, I was also accepting; I saw the shadows for what they were, and I held their hands, somewhat like a mother with faith in her children despite the trouble they may get themselves into.

On the 23rd of July my Headless One ritual broke through me in a way that was completely unexpected. I saw, heard, felt, embraced my guardian with a level of clarity that I thought was previously impossible for me, right in the middle of the recitation itself. Right at the part where you switch into first person pronouns ("I am the headless..."), his voice appeared in all its startling glory from within and without me, and we both completed the invocation. Just when I thought I would collapse from the shock, I found his own power carrying my legs, and he took my body around my space, reconsecrated numerous tools, empowered my spiritual bodies, and then gently but firmly laid me down to meditate. In the ensuing experience, he gave me his true name—another shock; this time not in content or revelation but in power. The name itself has been a textbook of instruction, a master key to the cooperation of so many discordant forces. In the following month, in between resting and refining various skills, I have to say I've probably never been happier.

There's so much I want to write about, so much newfound energy to dedicate into new ventures, new creative projects, new lives. Tomorrow, I will be switching platforms as well from Blogger, and turning over a new leaf with regards to the kind of blogging I would like to do under this pseudonym.

24 June 2017

Completions and Connections

Wew. What an eventful month it has been! In addition to clearing Rune Soup's amazing course on the history and praxis of the grimoire tradition, continuing my studies with Benebell Wen's Astrology Course for Beginners, receiving some extremely illuminating new instructions with regards to my ongoing trials in the White Work, performing numerous successful spells, providing substantial content and copy editing for a new occult writer's book, reading a whole pile of amazing new books, completing a major year-long creative endeavor, and nursing my cat through an infection, I also celebrated my birthday. :) It's been quite the ride, and I'm definitely feeling better than ever. 

The aforementioned grimoires course has inspired me more than ever to start tackling grimoires on their own, as their own systems— though this time with a more nuanced appreciation for their historical context, the ways in which they came to diverge, and of course, which tools and procedures are vital and cannot be substituted out for convenience and laziness' sake, given the broader historical understanding. Naturally, this means that not every grimoire will be "for me"; often it's better to switch systems and do one as it was intended as opposed to half-assing another and then puzzling over why there weren't any powerful spirit manifestations. Out of the ones in my possession at the moment, the ones which have captured my heart the most are the Hygromanteia and the Grimorium Verum. The former's planetary prayers and directional conjurations have become a staple of my practice, as of this year, and the latter will be the first I will attempt to work fully and faithfully as a system. 

Part of the course itself involved conjuring the dragon treasure spirit, Birto. I think I spent half an entire day making the circles for the two of us, and they really did come out marvelously. I conjured him into an Indonesian wooden dragon statue and struck up a pact that has already been immensely fruitful with no signs of slowing down. 

Our coven also recently upgraded our guiding spirit's vessel. Unlike a deity or a major power behind the coven like the Horned Master and the Witch Mother, our guiding spirit, whom we often call the Sentinel, remains enthroned close to us, functioning as a personal guardian to the whole of the group, negotiating with other beings on our behalf, assisting us individually as an inter-court member, and all around being a ridiculously powerful tutor and mentor. All we had been missing for his new skin was a raven's feather and the right kind of vessel, and with both in hand we installed his powers on an astrologically auspicious day. He's been charming minor miracles left and right for each of us since, and his manifestations have been even more alarmingly physical than they've usually been. 

I love tending to the vessels of the spirits that I work with; cleaning them with rainwater, anointing them with oils, placing them in the moon's path to absorb her light, offering them incense, food, and good drink. The powerful affection I feel for all my spirits, and the love they feel for me in return, is something I treasure beyond words. When that devotion is done with a group of trusted, loving witch-siblings, the numinous connections are made even more brilliant thereby.

1 May 2017

Walpurgisnacht 2017

Yesterday, our coven bore witness to one of the most transformative rituals we have undertaken to date. Our hearts were the drum's beat, silent as the storm. In pitch darkness, illumined only by two torches, each lit for Hekate, we called on the Queen of the Witches, she who guards our circle and sanctions our coven, to lead us into the passionate Wilds beyond the hedge. 

I led the chant, though eventually my voice could do no more than whisper as the rain came. It began to pour as soon as the evocation was over. The darkness and the distant torches had blurred to become tiny pearls, ephemeral and blinking, and my skin was sloughing off in snakeshed ribbons in preparation for the flight. We were soon in the verdant crypt, our bonds ensuring that we could still feel each other even when it was too pitch to see. 

The rite itself was tumultuous in all the rending, howling ways that Brimo is. The harsh and implacable one put us through the tests we had petitioned for, and the resultant alchemy was an initiation unlike any other. We were consumed, we were dissolved, we were reborn of stardust, misty chthonic womb-water and lightning-hot dragon-blood. We were remade as the animals of her faces, and we ran, slithered, flew, and flowed with the whip-cracks of the thunder outside and the tempest of the astral vision. Once we had finished learning the inceptions of the arcana that was being passed on to us, we held a sacred supper for the goddess and communed with our guides in silence. Exhausted, I lit a single candle afterwards, healing and marveling at the changes my astral shape had undertaken, loving myself and my spirits, whispering her beloved chant and mantra.

It's time to sleep and sleep and sleep and sleep, to join that selfsame leaping toad into the watery tomb of the dark, and commune with all the many lovers who dwell beneath the touch of my flesh.

28 April 2017

Spirit Affinities + Further Tools

My tools are mine, but they are also my spirits'. We share them because we are a team, a family born of love, experience, and ordeal, who have chosen to walk alongside each other. I don't really form those kinds of bonds with just about anybody, as is the case with my living friends, and I've personally worked with so, so many more familiars and spirits who have since moved on, having taught me the lessons that they wished to impart and then gone in search of new pupils to tutor in the same way, than those who are pacted in the soul-threads of my inner court. There are spirits, power animals, personal emissaries of the guardians of gateways and so on, who have all remained for years before it was time to part—not permanently, for I am still free to call upon their names and seals at any time should I need them, but nevertheless part in the sense that they wouldn't be working so constantly in my outer court. 

What I have repeatedly referred to as the inner court is really a family. Some have been with me in prior incarnations, guiding, teaching, and empowering me across multiple lives and assisting me in uncovering and reclaiming the spiritual gifts and alliances of those past vaults of knowledge. Others I've encountered in this form through shamanic work, astral journeying, or alliances with other powers—the gods, angels, demons, and elementals who bestow familiars. We're a real unit, and we can easily rely on each other. Their powers continue to astound me every day, from the speed, efficacy, and incredible fullness of their manifestation to the accuracy of the insights and messages they convey. I strive to be a worthy student and an excellent witch-shaman to them all; apprentice, friend, and someone they can be proud of. 

In working to consecrate my new cup—a silver chalice my spirits took a great liking to while I was thrift shopping—I came to really appreciate a deeper level of the unity, flexibility, and cohesiveness of my court. The way we work together when we make powders, herbal washes, tinctures, and oils. The way each lends their breath to a mojo hand, a talisman, an amulet, a poppet, a fetish. The way every strand of alien creativity comes to blend in sigil shoals, spells, crafting projects, and large-scale evocations. I see our unity in spirit mirrored in the unity of the silver circle of the cup's mouth. We come together, we weave reality, and we pull, pluck, and mend what we please.

In one of my books I keep a long list of different affinities belonging to the spirits that I work with, both those of the inner and outer courts and those inner contacts with whom I have regular albeit less personal relationships with. Underneath the list of preferred offerings are a 777-style catalog of different materia, plants, stones, incenses, and so on which best appeal to the nature of the familiars and pacted companions. Beyond just what it is that they prefer to have in their vessels or stuffed in fetishes dedicated to earthing their currents and powers, these also relate to which tools it is that they move through with the most fluidity. Some of it is obvious—the faeries in my court find iron offensive—and others are thoroughly animistic, in that raven spirits prefer raven-imaged materia; liquor bottles with a raven emblem, cloths on which a raven is painted, and so on. Subtle virtues of plants and planetary connections of different materia are also thoroughly taken into account, as are dedication. 

My principle knife is a black-handled blade I consecrated in the name of Hekate as part of the teachings given in Jason Miller's Sorcery of Hekate arcana. If I had enchanted it in any other way, the Hekatean spirits I work with certainly would still be able to bless and channel their efforts through it, but since it positively lives and breathes the Witch Goddess' essence now, the effects when using it in conjunction with them are significantly more powerful. I can and do harvest plants with it, for all plants ultimately belong to Hekate, though on the advice of my spirits I've also adopted a pure copper-bladed knife as well for strictly herbal and plant-spirit related workings. Under the auspices of lady Venus, this blade sings the hymns of the Green Kingdom, amplifying and resouling even the dormant sparks within dried herbs to vibrate again with the songs of their roots.

20 April 2017

Gateways Through Light and Shadow

This review has been long, long overdue. A full repertoire of magic + regular occult study + academic work + personal creative projects + an increasing emphasis on aspects of the Craft and different initiatory currents which cannot be spoken of publicly = not a whole lot of time for blogging. Regardless, I still definitely want to continue in the spirit of mentioning some of the better books I've been reading, perhaps in regular roundups like before, as I quite like that format. That said, there is no way I can let this particular gem fly by on a mere list. I read this back in late 2016 and have literally gone back to it every single month, finding new pearls which continue to entice and inspire my mind with every perusal. I don't normally do fuller reviews beyond a paragraph, but there is just so much I want to say about this book that I just can't resist the temptation.

Gateways Through Light and Shadow is the second book by the venerable Frater Ashen Chassan, and easily one of my top five favourite occult books of all time. Beneath the luxurious, Azoth Press binding is the kind of book I've always wished I could read: the intimate, honest accounts of what transpired during spirit evocations. Ashen Chassan's method is of course our favourite Drawing Spirits into Crystals (DSIC), which I first came across through Rufus Opus' writings and then, naturally, in Francis Barrett's The Magus once I acquired it. His first book, Gateways Through Stone and Circle, was an exhilarating catalog of his pursuit to replicate the rituals as faithfully as possible. In Light and Shadow we are treated to a truly awe-inspiring account of the fruits of his labour. 

Every detail concerning the rituals undertaken is meticulously described. The scribing of his scryer's visions is related so faithfully it even includes the pauses between channeled messages, an advantage given by recording the rituals themselves for the most accurate retelling. As the conjurer, Ashen Chassan does not hesitate to ask the spirits tough questions on their opinions of humanity, their own birth, and their thoughts on different historical issues we've faced in our striving to understand our religious traditions. Even more importantly, he does not hesitate to include the answers given; naked and exposed just as they are, even when they may seem counter-intuitive and uncomfortable. Following each ritual, commentary and afterthoughts are provided by himself and his scryer, who speak frankly about what they felt, how the words received impacted them, what they thought was too ambiguous, and what they knew they needed more answers towards. 

In between rituals Ashen Chassan writes eloquently of the different procedures he enacted in order to procure and consecrate various tools the archangels and spirits recommended to him. My favourite tool was the quartz-handled Saturnian blade; reading Cassiel's description of what it is and then further Ashen Chassan's account of the consecration process literally had me shivering in my seat. His dedication to the craft alongside his excellent ability as a writer truly takes you along for the ride with him, inspiring any magician to seek ever more intimate spirit contact, inner knowledge, and authentic ritual procedure. 

There are a number of techniques divulged in the book that I've incorporated into my own DSIC workings, but one which stands out as a general practice, not relating specifically to any one method of conjuration that I've eagerly taken on is his "Ritual Litany of the Ascending Mages". This is a ceremony to honour the operator’s ancestors: the pioneering occultists and magicians of the past. From Enoch to Iamblichus, Giordano Bruno to Franz Bardon, this rite praises, if I counted them correctly, sixty-three philosophers and magi and aligns the magician firmly in their current of ever-unfolding mystical discovery. This is a powerful practice and a kind of ancestral devotion that I think is truly vital and necessary. I've incorporated it into one of my weekly ancestral rites, wherein I pay homage to all the teachers who came before me with cool water, light, and prayer.

Given my deep love of my spiritual court and familiars, and the nature of my own craft being so closely-aligned with the guidance and otherworldly intelligence and insight of those immaterial allies, it should be no surprise that the part of the book that touched me the most was his detailed account of his familiar spirit Hiram. Ashen Chassan leads us through the developing relationship from its inception; from the very shamanic vision-journey in which he met him, to the growth of their friendship as they got to know each other, to the climactic ensoulment of the familiar in a brilliantly-prepared human skull vessel, and the valuable advice Hiram had been providing to the magician ever since. I fell in love with their story and found so much of myself in the tender descriptions of daily offerings, communion, and friendship with the spirit that would come to assist not only him but his friends and family, as a veritable house patron. If even this book leaves you hungry for more with regards to this familiar relationship, definitely check out Nephilim Press' Ritual Offerings anthology, where his essay further details this exact partnership.

Anyone who works with spirits, regardless of whether or not they use ceremonial or grimoire-based magic, would be immensely enriched by the reading of Gateways. Please do get yourself a copy from Miskatonic/Azoth Press, and while you're at it pick up the first installment in the series over at Amazon; Nephilim Press released a paperback quite a while ago for all of us who missed the hardcover to enjoy. 

9 April 2017

Pentacle of Earth

We're only three weeks into this HGA retreat venture and I'm already feeling the pressure. It's like I can't help but work-work-work, consecrating, evoking, empowering, and restructuring all the little bits and pieces of my life through the spirits and inner powers. I'm on fire with how much I need to do, but thankfully I've learned enough from Egyn and my Genius regarding how to keep my feet firmly on the ground, my body nourished, and my mind rested. Not that that's kept the inevitable fatigue away, of course, but it's kept it managed.

Guided by my HGA and Genius, I decided that one thing I definitely had to do soon was to call on the four archangels and the four directional princes in another round of evocations, and consult with them for a kind of "progress update". I had spent all of this year so far wrestling with and putting into practice what it is that they've shown me, and I think I've done a pretty good job. But if there's anything I've learned from working with them (and of course, the spirits of my court), it's how blind we all are to our own blind spots, and so I was very interested in going back to them, presenting the fruits of my inner alchemy, and asking for their evaluation and next steps. Egyn didn't let me proceed to the "practical/magical" portion of his teachings for nearly a month until I got this one thing down right, and I really value that rawness and authenticity. 

Naturally, I want to show the spirits that I am a magician of integrity; that I don't just call them and ask for initiations and then do nothing but ride their waves out passively without putting any effort into making my world and the world around me better. Rather, I want to prove that I work hard at what they show me and then come back for more, eager to cultivate a continuously evolving relationship with them and their multifaceted teachings. Studying the Red Work material has definitely deepened the level of affection I feel for these spirits. Far from seeing them as a kind of contact I can just call up for advice and then hang up on until next time, treating them like one-dimensional characters on some table of correspondence phone book, I've come to love them as my family, and in that love discover a lot about my soul what it means to be me. 

So I went back and conjured Auriel and Egyn together three times: Saturday-Thursday-Saturday. I received a number of instructions, one of which was to go out and either make or buy a magical tool that would function as the seat of coalescence and growth, on which any desire and product (sigil, charm bag, vessel) could be placed to ascend to full manifestation. They made it clear that it was only when I had fully embraced how it is that my own body and mind bring to manifestation all the little internal impulses, thoughts, and habits I had previously been ignorant of or thought I had under control that I could properly consecrate an external tool, for external magical tools are only ever extensions and refinements of the magical capabilities of the inner self. The reason they only revealed the method of consecration (and gave their license to assist in the manner as well) now was because I had tempered the inner sufficiently enough so that there would be no accidental conflict in the flow of power to the outer. Small wonder I had to go through such a mentally and emotionally grueling experience first. It was a real kind of purging, not just so that I could open up to accept something new, but more so that I could enable authentic parts of myself to see more light and take up more space that had been previously denied to them by the more scattered, cluttered parts of my monkey mind.

Shortly after the first evocation I stumbled upon an earth pentacle another magician had made and was selling that I immediately resonated with. Being that the "four elemental tools" are really a modern invention, I've never found myself very attracted to having a "full set" and using them in strictly elemental ways. That said, knives, cups, and wands have certainly featured in the various forms of authentic, historical witchcraft my practice is informed by, they've just never been attributed to the elements in the way they are in the Golden Dawn, as an example. My altar has always been equipped with a knife, a cup, and a wand, each having taken multiple incarnations, but what those tools mean to me and what my relationship is with them has drastically changed and will continue to change as I work more with and learn under the spirits. When I first started out as a baby witch I certainly thought of them in more elemental terms, because I had been so immersed in modern tarot decks and books which affirmed that view. Later after developing a relationship with the beings that govern my witchcraft tradition, I came to see them in a completely new, more versatile light. Now my understanding of the elements and their role as the "translators" of creation (as opposed to the building blocks) has also informed a new appreciation for potential tool attributions, especially since I see them as being a lot more than just either the physical earth/water/air/fire or even their corresponding properties, but also as modes of thinking, moving, breathing, and being.

In a sense, I kind of came full circle. I don't see the "elemental tools" as inherently elemental, but I do see how their forms can express the "ways of the elements", as Auriel called them. My cup, for example, is a lot more than just a ceremonial water cup, but it can express a lot about the ways of water when I need it to, and when it wants to. What the spirits asked me to do was to obtain a tool that would be the seat of manifestation, coalescence, and growth because those are the chief ways of earth. With those qualities in mind, I was to be mindful of the form of the tool. Things should be able to lie comfortably on its surface when cooking, so to speak, otherwise if it is a bowl it should be large enough to hold most potential materia. I decided that I wanted something flat and sturdy that even larger objects could sit on, either a small table or a disc. My only other instructions were that it should pay heed to the spirits and the stars which share in the same way or path. 

Pentacles and discs really lend their forms well to this sort of practice, and I can really see why it's no accident that a modern tradition developed around this understanding. I thought that quartz, gold, beeswax, or clay would make a good base. Ultimately what I went with was an exemplar another magician had made for sale that I fell in love with; a clay earth pentacle heated with olive oil and beeswax for hardening and sealing. It bears the names Uriel, Phorlakh, Kerub, Ghob, Gnomos, and AGLA around the rim, with the signs for Jupiter and Saturn, and Taurus, Virgo, and Capricorn surrounding the earth symbol. In the middle is the final ה‎ of יהוה. 

I took it lovingly into my hands as soon as I received it, treating it like an important comrade. I rubbed it with Abramelin oil and consecrated it under Auriel and Egyn on the third evocation. I've already used it to charge and seat a spirit's essence into a home I had created for it. The whole vessel sat on the pentacle for 24 hours and immediately began manifesting "supernatural activity" once I had taken it off to place it on the proper altar.

I'm halfway through this process for the water instrument, but will leave the details for after the full moon when the consecration is complete.